the art of photo graphic blacks
and whites
and
when they dominated our visual sense and facile acuity
they defied the steeped and saturated
natural colours that spilled into our eyes
as they gaped
gagged
choked on its ribald viscousness
its immense oozing
menses
a ruptured dike unfitted by a finger
our introduction I thought was
sanctioned by her photo graphic blacks and whites
she was an artists model
a black chokered cropped-head
blonde
Coy
naked
on an unmade bed
posed
poignantly
poignantly
who held her round chin dropped slightly turned to her left shoulder as if she either gazed at her
illuminated breast(her other breast vertically bisected through her nipple by
a soft gray shadow of her profile) or if she pondered the warm
curls between her thighs as she rested on her right hip
turned
ever-so-slightly towards the viewer
ME
her lighting was affectionate
but I struggled
I struggled between looking only at her
and at the white concrete or plastered wall behind her crenellated
by thin horizontal strokes created either by
a toothed trowel or overlayed with fabric that when it set the fabric was
yanked off it
just above the height of her head
to her right was a peephole punched into the wall and on the walls face
drawn in charcoal or crayon was a cubist image an elongated horses head wideeyed
eyelashed and to its right an
equally tall lopsided bottle
over the crenellations it was
impossible to draw a straight line
perhaps the artist didnt
prefer them
their long wavering vertical lines broken by the models body provided an exquisite tension
the peekhole was filled by an eye
an eye competing with mine
although I was determined it was
destine to lose out to the unrestrained latitude I enjoyed looking at her
watching her
yet it watched too and was nearer
her
and for that I was jealous
jealous of its proximity
for its whispering to her
which I couldnt hear
she couldnt hear me
I was outside the frame
I was a voyeur
at a peephole too
though I couldnt prattle or try to
seduce her
I couldnt inflame her
No I could not
that peeking eye existed more
than I did
it locked inside that 35 mm frame
with her
And because of it
because of the photo graphic black and white image
because of the photo graphic black and white image
I sought her
eventually I found her
I introduced myself
she reared away she said I was brazen
I am no more brazen than you I saw your modeling Your beautiful graphic photo
Ah then perhaps you might appreciate that seeing
my modeling is not an invitation
or does it makes us familiar
You have the advantage of knowing
me by sight and only in the slightest most pretentious way possible
A knowing informed only by what you have
ascribed to me
I was modeling
It is my job to be plastic to be an instrument in the artists hands and hopefully
fulfill their concept assimilate their vision help them to realise their art
You have unfortunately mistaken
me for a fiction you created alone
I created!
She was right I was wrong
as she spoke I became irate
but
then listening to her really listening it subsided
I turned the situation around and
imagined if I were her
how would I feel
I was embarrassed
I understood then too
the
reason of the frame its enforced separateness the perpetualness of that solitary virtual timeless moment its invocation its plenary creation the plants and fruits and seeds that
resulted from its monad
I am terribly sorry please accept
my apologises I am embarassed
Thank you very much I truly appreciate that
I accept your apology
I turned away and left her be
while walking I recognised
not only wasnt it
as heavy a lift I thought it would have been
but that my fiction despite
holding the Truth in hand remained intact
There is the Truth
and there are stories
evening, Twosday,
15 9. 15
1237, Day-between-Two-Ts, 16 9.
15
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