again
waylaid by a book
one of the nicest ways to be laid
Motley Stones by Adalbert Stifter an early Nineteenth Century Bohemian-Austrian writer
his writing is referred to as hypethral
Go ahead
Try an tell him thats not attractive hes not heard it beforeread before “the sense of place interacts with the sense
of the sacred” Jonathan Gletner
Church
reached for sacred he slapped its hand
away
Ah ah
aah
the short stories “voices . . . made up
of an intarsia of literary resonances”
intarsia
fascinating
attractive too
an elaborate form of
marquetry inlays in wood similar
to inlays of stone glass metal especially as practised
in Fifteenth Century Italy
words
theyre cans of worms
his Stifter informant WG Sebald translator Jo Catling
page XXIX
of her Introduction
that
on the heels of James Buchans
Crowded with Genius
1720 CE the dancer Signora Violante
“in a
room in Carrubber’s Close, performed feats of strength and tumbling ‘disgustful
in any, but in a woman, intolerable . . . acting plays within the Precincts . .
. filled with horrid Swearing, Obscenity and Expressions of double meaning.’”
Aah his old friend expressions of double meaning
innuendo
Take it in the end you
inquirying perplexed bashful
End
END
Whaever do you mean
Whaever do you think I mean
In
the end
The ass
Enjoyrelish that splendid slippery
furrow back an front front an back a seesaw ride for ones tongue
Ohmy
My
Yours Flexible sort arent you
I coudnt blow myself if I
tried
Ohmy
mariachis forever takin him off his
stride
Sunday, 20 7.
25
1028, Sunday,
27 7. 25
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