his enthusiasm flailed failed
the correction he offered
forgotten
returned to failing to execute
Kahrist
to be friends with this monkey was
tedious
but they wereor maybe he was only his
a whitemint Lifesaver save him
from drowning or
there when
his breath failed
he rewound their relationship in
his head ran it forward looking for
evidence of R O I as friend said Return On Investment for evidence
when he needed his help
when he moved
needed someone on the other end of a sofa
bookcases desks dressers wardrobe
aside from that
Nada not so
much
whellfuck he might move again someday
frankly stated
Were back to square one
Numero Uno baby
Im awfully happy you said
that only Italian I know lyrical
mean it to correspond with your failure
“Le pietre istesse e l’ombre di quell
loco/spirano spirit d’amoroso foco.” Even the stones and the shadows of
the place/sigh breaths of amorous fire.
What do you mean?no.
That doesn’t
do a thing for me.
Arya crazy
Sigh breaths of amorous fire
Ya dead
Insulting me helps?
An observation
Got another
Insult?
Woudya get off it
Whatever. knew his friend didnt care for
whaevers
If you think it might help.
Fingers crossed Im tryin Im tryin
You
buy any girlie magazines
No.
Go on-line Porn
Ohhellno.
Prude
Why ya bother tugging your cock
Please. The obvious reasons, release,
mitigate tension, feels goo . .
.
. Not ifya don execute
Another
Either Nicolas Poussins or
Blaise de Vigeneres Frenchmen
You’re not going to ply me . .
.
. No The Italian tickles me so thas why I
recalled it
No French
Good.
The Uncertainty of Fortune perhaps perhaps I believe this quote regards Poussins painting
A Dance to the Music of Time
“Only a great wisdom or great simplicity
can exempt man from these storms . . . the ordinary man is subject to her
rigors.”
Rigors?
Fortunes rigors
Oh. Okay.
Or has it occurred to you at all you just might be an unfortunate sorry fuck
Im inclined to sayso because youre not getting tha either
Ironic huh
0908, Friday,
11 4. 24
1254, Monday,
12 8. 24
Philostratus Imagines (describing Art) https://topostext.org/work/225
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